The train station manager saw Mi Yun wandering around the empty train station, knowing she had been there for several hours. She had previously told him that she was waiting for her uncle to pick her up. He said, “‘You cannot wait here. Do you hear me? No one is coming for you!’ Hanging her head in confusion and alarm, [Mi Yun] obeyed. The thumping in her chest started again. Tears burned her eyes as she stumbled back to the ox cart… Mommy, I need you!” After being abandoned on a train by her mother, four-year-old Mi Yun spent her childhood on the streets of war-torn South Korea, scavenging for food, warmth, and love. Because her father was American and her mother was Korean, no Korean would accept her, and she was repeatedly beaten, tortured, and purposefully starved because of her origin. However, every time she was near death or so cold and hungry she wanted to die, someone would be placed in her path to remind her to never stop trying to survive. In her book She Is Mine, Stephanie Fast uses differing perspective, realistic details, and heart-wrenching events to communicate that Someone had a plan for Mi Yun no matter what happened to her.
Throughout the book, I felt as though I was in the mind of Mi Yun because Fast uses differing perspectives based on the age of Mi Yun to unfold the details of the story. When Mi Yun is young, the thought process in the book portrays that of a very young girl, who cannot understand what is going on as her mother puts her on a train alone; a girl gullible enough to believe after several days of being abandoned that her mother would still take her in if Mi Yun could only get back to her. As she sat in the cardboard box she had called her home for several days, while waiting for her uncle to pick her up, “She repeated again, ‘It will be all right. It will be all right. I will find my way back home… I will get back to my mama” (60-61). Then, as more and more people hurt her, beat her, and torture her, Mi Yun’s innocence turns to fear and hate. She stops trying to get help from the local villagers and instead hides as much as possible in shacks, burrows, and caves, stealing food and warmth whenever she could. Each encounter she has with strangers, I was immediately placed in the mind of the young girl, reading her words, thoughts, and fears. On one particular occasion when Mi Yun is caught stealing, she is grabbed by a farmer. As the farmer drags Mi Yun down the street and into a crowd of angry villagers, she cries, “‘Please don’t hurt me… I will leave… Just let me go.’ …Is there any kind person here… someone who will stand up for me, someone who will protect me? She could only see hatred, anger, and disgust on the faces of the villagers” (101). This switch between dialogue, Mi Yun’s thoughts, and narration made me feel thoroughly engrossed in the book, as if I were right there alongside the little girl.
In addition to differing perspectives, Fast also uses realistic details that kept me thoroughly engrossed in the story. For example, there are accurate descriptions of the Korean countryside scattered throughout the book, so I could picture where the events were taking place: “She saw the train tracks running along the rugged mountains… She looked to the right… and scanned the train tracks surrounded by the grass, rice paddies, and more mountains. Turning, she saw behind her only the empty countryside and even more mountains” (75). There are also many descriptive portrayals of Mi Yun: “She was tiny and beautiful in a way that was both Western and Asian. Her eyes were a bit rounder than the other children… Her hair, lighter in color than the rest, had a soft curl to it” (37). These are two of the many examples of Stephanie Fast’s excellent descriptions in She Is Mine. There are also depictions of Mi Yun’s encounters, the places she goes, and the experiences she has. These depictions allowed me to visually picture the characters and scenery, so I could imagine what Mi Yun saw as she suffered.
Finally, there are many events in this novel that caused me to deeply empathize with Mi Yun. One time, when she was caught stealing from a farmer, Mi Yun was dragged to a water mill and tied to it, and the water mill was then turned on. “[Mi Yun] didn’t quite know what was happening, except that the wheel was moving. Its slow rotation took Yoon Myoung to the top, where a flood of water spilled into her face, causing her to sputter and choke…With no time to catch her breath, she was thrust under the murky water as the wheel continued its rotation. Scraping along the graveling bottom of the pond, she felt her face being cut and bruised by the mud and gravel” (103-104). She was raped, beaten, run out of villages, suffered a fall from the hands of strangers that killed the baby she was taking care of, and nearly died from sickness. Many times, I found myself mentally yelling at the other characters, aghast at the inhumanity of the Koreans that Mi Yun encountered. However, no matter how much she went through, someone was always put in her path that cared for her, encouraged her, and helped her to keep going.
The story of Mi Yun is one that captures the interest of every reader, as they learn about the horrors she endured as a result of her origin, from being abandoned by her mother to being refused food by villagers. However, the reader is constantly reminded that someone is watching out for Mi Yun through the little things that happen to her along the way. The end of the story renews one’s confidence that God is always watching over us, no matter how hard life becomes. But, if you would like to know what this incredible ending is, you will have to read Stephanie Fast’s She Is Mine.
Written by Michelle